Katie Hitchcock-Smith Wins Prestigious Photography Award
The National Portrait Gallery has announced that Katie Hitchcock-Smith is the recipient of the esteemed Winston Taylor Photo Portrait Prize 2026, previously recognized as the Taylor Wessing Prize for Photography. Her compelling image, titled 'Moroccan (Amazigh) Cowboys', is part of her broader series known as 'Tajine Westerns'. This remarkable achievement has earned her a cash prize of £15,000, highlighting her talent and innovative approach to photography.
In addition to Hitchcock-Smith's accolade, Max Pattenden secured the second prize, receiving £3,000 for his evocative photograph 'Havannah, Lee Moor'. James Clifford Kent followed closely, clinching the third prize of £2,000 for his striking image 'Neisser, Pinar del Río, Cuba'. Furthermore, Marcie Docherty was awarded the Winston Taylor Photographic Commission, worth £8,000, for her insightful group portrait entitled 'PE'. The winning photographs are currently on display in a dedicated exhibition at the National Portrait Gallery.
A Glimpse into the Winning Works and Their Creators
The judging panel for the competition comprised prominent figures such as broadcaster and author Emma Dabiri, alongside acclaimed photographers Nadine Ijewere and Mary McCartney, and Brandei Estes, the gallery's Senior Curator of Photographs. Each of the winners showcased distinct narratives and artistic visions through their photography, reflecting a variety of themes and styles.
Katie Hitchcock-Smith, originally from Boston, is not just a photographer but also an explorer and writer, with her artistic journeys spanning from the icy landscapes of the North Pole to the lush expanses of the Peruvian Amazon. Her work often delves into the behaviors of individuals in extreme environments, and she consciously diverges from traditional documentary styles. Instead, she stages her photographs, infusing them with a romanticized view of travel that critiques the pervasive influence of globalization through pop culture references.
The winning image was captured during a residency near Erfoud in eastern Morocco, where Hitchcock-Smith formed a connection with her subjects, Nour and Mohmed. She envisioned a Western-themed photoshoot, bringing props such as a cowboy hat while sourcing additional attire from local markets. The resulting photograph features Mohmed leaning against a camel, embodying the essence of iconic Western film figures, while Nour complements the scene with her attire that marries traditional Amazigh elements with contemporary fashion. The image cleverly plays with visual stereotypes, offering a playful commentary on cultural narratives.
Max Pattenden, at just 24 years old and based in the South West of England, received recognition for his portrait of ten-year-old Havannah from Lee Moor. His image captures the essence of the village's rich history, where the community has thrived around china clay pits for nearly two centuries. Pattenden's thoughtful approach to storytelling and connection with his subjects allowed him to create a poignant portrait that resonates with viewers, evoking a deep sense of contemplation.
James Clifford Kent, a photographer with roots in South London, has dedicated two decades to capturing the essence of Cuba through his lens. His work reflects a deep engagement with storytelling, often influenced by the unique experiences and cultural dynamics of the region. Kent's portrait, 'Neisser', showcases his ability to navigate the fine lines between fantasy and reality, making his images both captivating and thought-provoking.
Marcie Docherty's 'PE', which earned her the Winston Taylor Photographic Commission, explores themes of masculinity through a staged portrayal of four men wearing American football gear in an unconventional setting. The photograph draws on elements of performance and aspiration, challenging traditional notions of identity.
Additionally, the exhibition will present a new portrait by Hollie Fernando, who won the commission in 2025. This piece features darts champion Luke Littler in a relaxed setting, juxtaposing his competitive persona with a casual, at-home atmosphere. Victoria Siddall, Director of the National Portrait Gallery, commended the winners for their creative exploration of identity, emphasizing the impact of their work in contemporary photography.
As reported by artlyst.com.
